Items where Subject is "All subjects > Fine Art"

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Number of items at this level: 53.

B

Barker, Garry (2018) Drawing and the street texts of Chapeltown. Drawing: Research, Theory and Practice, 3 (1). pp. 75-85. ISSN 2057-0384

Barker, Garry (2017) Drawing as a tool for shaping community experience into collective allegory. In: Collective and collaborative drawing in contemporary practice. Cambridge Scholars Publishing, pp. 192-215. ISBN 9781527503472

Barker, Garry (2015) Drawing as collective narrative. In: Drawing Conversations Symposium, December 2015, Coventry University.

Barker, Garry (2017) Garry Barker: piscean promises - Leeds Arts University. [Show/Exhibition]

Barker, Garry (2017) Garry Barker: piscean promises - Workshop Press Gallery. [Show/Exhibition]

Barker, Garry (2017) Garry Barker: tree listening: a ceramic installation. [Show/Exhibition]

Barker, Garry (2011) In the shadow of the hand - narrative drawings. [Show/Exhibition]

Barker, Garry (2015) New territories of the filth dimension. [Show/Exhibition]

Barker, Garry (2017) Stories from the sculpture city. [Show/Exhibition]

Barker, Garry (2013) There Is nothing like a shave to make a pig feel like a man again. [Show/Exhibition]

Barker, Garry (2018) Trinity Buoy Wharf Drawing Prize: 2018. [Show/Exhibition]

Barker, Garry (2018) You and I are discontinuous beings. [Show/Exhibition]

C

Chambers, Paula (2016) Transcendental housework. JourMS: The Journal of Mother Studies, 1.

Crouch, Amelia (2019) Ericka Beckman & Marianna Simnett at FACT Review. Burlington Contemporary [online].

Crouch, Amelia (2018) In uncertain words. In: Complexities Appeals and Paradoxes of Language, 17 November 2018, London Centre for Interdisciplinary Research, Birkbeck University. (Unpublished)

Crouch, Amelia (2017) Latent voices: how public art of the past can speak in the present. Corridor 8.

Crouch, Amelia (2015) Launchpad: Amelia Crouch. [Show/Exhibition]

Crouch, Amelia (2015) 'Lucy Beech: me and mine' review. The Double Negative.

Crouch, Amelia (2015) Nor stamp hard on the ground neither. UNSPECIFIED.

Crouch, Amelia (2015) ‘Public’ Art on Campus: strategy and reality in UK universities. a-n.

Crouch, Amelia (2019) Re-collections: Susan Hiller, Elizabeth Price, Georgina Starr. Corridor8.

Crouch, Amelia (2016) Reflexive modernity: the work of Chris Paul Daniels. The Double Negative.

Crouch, Amelia (2017) Simple tools make the task easier. UNSPECIFIED.

Crouch, Amelia (2017) Spectral evidence. UNSPECIFIED. (Unpublished)

Crouch, Amelia (2015) Tomorrow belongs to nobody. UNSPECIFIED.

Crouch, Amelia (2015) The follies of youth. [Show/Exhibition]

Crouch, Amelia (2014) A parlay. UNSPECIFIED.

Crouch, Amelia (2016) The scientific method. [Show/Exhibition]

Cumberland, Kelly (2015) MANUAL v1.1 art publication, Art Palma Brunch, Palma de Mallorca, 2015. [Show/Exhibition]

Cumberland, Kelly and Walker, Michael (2015) Manual v.2.0: Dibuix per La Plaça Porta de Santa Catalina (A drawing for Placa Porta de Santa Catalina). [Show/Exhibition]

Cumberland, Kelly and Walker, Michael (2016) Manual v.2.1. [Show/Exhibition]

L

Lori, Ope (2019) ‘Should I, shouldn’t I?’: A self-reflexive study in unpacking ideologies of race while devising a critical studies fine art programme. In: Inclusion and Intersectionality in Visual Arts Education. Trentham Books @IOE Press. ISBN 9781858568393

M

McAra, Catriona (2017) A surrealist stratigraphy of Dorothea Tanning’s chasm. Routledge. ISBN 9781472463449

P

Palin, Tom (2015) Free things. [Show/Exhibition]

Palin, Tom (2019) Involvement, inbetweenness and abstract painting. In: Painting The In-Between. Metapoiesis Press, Holmfirth, West Yorkshire. ISBN 9781916073906

Palin, Tom (2012) Local imagination. [Show/Exhibition]

Palin, Tom (2019) Pictures, truths and methods: from function to form in abstract painting. In: Abstract Painting Now, 4 February 2019, The Royal West of England Academy, Bristol. (Unpublished)

Palin, Tom (2014) SUM. In: SUM. Leeds Arts University.

S

Simpson, Ben (2018) The norms: processes and production. [Show/Exhibition]

Steans, David (2018) From the Lounge. [Show/Exhibition]

T

Taylor, Sarah (2017) Aspirational beauty: painting class …the importance of personal narrative in painting. In: Teaching Painting: How Can Painting be Taught in Art Schools? Black Dog publishing, London. ISBN 9781911164104

Taylor, Sarah and Gaffney, Sheila (2018) Regenring …visual lives. Journal of Writing in Creative Practice, 11 (2). pp. 217-232. ISSN 1753-5204

Taylor, Sarah and Paul, Lewis (2015) Catalytic commoning. [Show/Exhibition]

Taylor, Sarah and Paul, Lewis (2017) Little pink bush. [Show/Exhibition]

Tyman, Derek (2014) Where do I end and you begin. [Show/Exhibition]

Tyman, Derek and Rushton, Emma (2013) Fear of the surplus. [Show/Exhibition]

W

Ward, Saffron, Riccardi, Sara, McAra, Catriona and Eggleton, Lara (2019) Nicola Dale: figurehead. [Show/Exhibition]

Woolley, Dawn (2014) All coherence gone? historical currents in contemporary still life group exhibition. [Show/Exhibition]

Woolley, Dawn (2016) Consumer poster project. [Show/Exhibition]

Woolley, Dawn (2019) Swap editions: BREX-Kit group exhibition and multiples edition. [Show/Exhibition]

Woolley, Dawn (2013) Wild oats group exhibition. [Show/Exhibition]

Woolley, Dawn and Herrington, Katie (2018) Still life: things devouring time. [Show/Exhibition]

Woolley, Dawn and Watne, Davin (2018) Dreamers. [Show/Exhibition]

This list was generated on Fri Oct 18 05:30:20 2019 BST.