Items where Year is 2017

Archer, Suzanne, Broadhead, Samantha ORCID: https://orcid.org/0000-0001-9469-1233 and Elzenbaumer, Bianca ORCID: https://orcid.org/0000-0002-6541-4365 (2017) Expanding communities of sustainable practice: 15 October 2016: symposium proceedings. Published open-access by Leeds Arts University, Leeds. ISBN 978-0-9561970-7-8

Attah, Tom ORCID: https://orcid.org/0000-0001-6493-3377 (2017) Halls without walls: examining the development, dissemination and perpetuation of blues music and blues culture. In: 53rd Annual Conference of the Royal Musical Society, 7th - 9th September 2017, University of Liverpool.

Bainbridge, Sharon (2017) From fibre to fabric: creating innovative learning perspectives on Yorkshire’s wool heritage through collaborative practice. In: Adult learning, educational careers and social change. ESREA, pp. 106-118. ISBN 9788461789894

Ballin, Deborah ORCID: https://orcid.org/0000-0002-1920-3022 and Johnson, Esther ORCID: https://orcid.org/0000-0001-8884-4192 (2017) Echoes of protest: conference presentation. In: International Oral History Conference IOHA 2018 Memory and Narration, Jyvaskla, Finland, 18-21 June 2018, Jyvaskyla, Finland. (Unpublished)

Ballin, Deborah ORCID: https://orcid.org/0000-0002-1920-3022 and Johnson, Esther ORCID: https://orcid.org/0000-0001-8884-4192 (2017) Echoes of protest: untold stories of the 1984-1985 UK Miners' Strike. Oral History Society Journal, 45 (1). pp. 100-110.

Ballin, Deborah ORCID: https://orcid.org/0000-0002-1920-3022 and Johnson, Esther ORCID: https://orcid.org/0000-0001-8884-4192 (2017) Voices from the strike. In: Justice Denied Friends, Foes and the Miners' Strike. Merlin Press. ISBN 9780850367300

Barker, Garry ORCID: https://orcid.org/0000-0002-1686-3738 (2017) Drawing as a tool for shaping community experience into collective allegory. In: Collective and collaborative drawing in contemporary practice. Cambridge Scholars Publishing, pp. 192-215. ISBN 9781527503472

Barker, Garry ORCID: https://orcid.org/0000-0002-1686-3738 (2017) Fully awake (Garry Barker). [Show/Exhibition]

Barker, Garry ORCID: https://orcid.org/0000-0002-1686-3738 (2017) Garry Barker: piscean promises - Leeds Arts University. [Show/Exhibition]

Barker, Garry ORCID: https://orcid.org/0000-0002-1686-3738 (2017) Garry Barker: piscean promises - Workshop Press Gallery. [Show/Exhibition]

Barker, Garry ORCID: https://orcid.org/0000-0002-1686-3738 (2017) Garry Barker: tree listening: a ceramic installation. [Show/Exhibition]

Barker, Garry ORCID: https://orcid.org/0000-0002-1686-3738 (2017) Imagined realms. [Show/Exhibition]

Barker, Garry ORCID: https://orcid.org/0000-0002-1686-3738 (2017) SKETCH 2017. [Show/Exhibition]

Barker, Garry ORCID: https://orcid.org/0000-0002-1686-3738 (2017) Stories from the sculpture city. [Show/Exhibition]

Broadhead, Samantha ORCID: https://orcid.org/0000-0001-9469-1233 (2017) All I want to do is make things: class, men and art and design higher education. Journal of Widening Participation and Lifelong Learning, 19 (2). pp. 47-62. ISSN 1466-6529

Chalmers, Rosemary ORCID: https://orcid.org/0000-0003-0274-5930, Shipman, Jill, Buntaine, Julia and Schwarting, Kate (2017) The bridge: experiments in science and art. SciArt.

Chambers, Paula ORCID: https://orcid.org/0000-0002-8245-9880 (2017) The nightdress I wore to give birth in: performative materialities and maternal intersubjectivities. Performance Research, A Journal of the Performing Arts, 22 (4). pp. 18-27. ISSN 1469-9990

Clark, Mat ORCID: https://orcid.org/0000-0002-9999-7749 (2017) Creation and application of curve blend tool. Online.

Crouch, Amelia ORCID: https://orcid.org/0000-0001-9355-8254 (2017) Latent voices: how public art of the past can speak in the present. Corridor 8.

Crouch, Amelia ORCID: https://orcid.org/0000-0001-9355-8254 (2017) Simple tools make the task easier. UNSPECIFIED.

Crouch, Amelia ORCID: https://orcid.org/0000-0001-9355-8254 (2017) Spectral evidence. N/A. (Unpublished)

Davies, Adrian ORCID: https://orcid.org/0000-0003-4379-3584 (2017) Veins. Look International Photography Festival.

Elzenbaumer, Bianca ORCID: https://orcid.org/0000-0002-6541-4365 and Franz, Fabio (2017) Notes on design education and (prefigurative) work politics. Art, Design & Communication in Higher Education, 16 (1). pp. 117-123. ISSN 2040-0896

French, Michaela ORCID: https://orcid.org/0000-0002-4028-3995 (2017) Bodies in light: Mediating states of presence. In: Digital Bodies: Creativity and Technology in the Arts and Humanities. Palgrave Studies in Performance and Technology Series . Palgrave Macmillan. ISBN 9781349952403

Gaffney, Sheila ORCID: https://orcid.org/0000-0002-5894-873X (2017) The sickness of being disallowed: premonition and insight in the ‘‘artist’s sketchbook”. OAR: The Oxford Artistic and Practice Based Research Platform. ISSN 2399-5092

Gaffney, Sheila ORCID: https://orcid.org/0000-0002-5894-873X (2017) A story within a story within a story within a story: British art school experience retrieved through archive, anecdote and life writing. n.paradoxa: international feminist art journal, 40. pp. 80-88. ISSN 1461-0434

Grain, Emma ORCID: https://orcid.org/0000-0002-1366-9796 (2017) A closed loop model for 3D printing fashion. Circular Transitions: Proceedings: A Mistra Future Fashion Conference on Textile Design and the Circular Economy.. pp. 169-183.

Gregory, Helena (2017) Ulysses and I: Joyce as a catalyst for graphic practice. Journal of Arts Writing by Students, 4 (1). pp. 31-36. ISSN 2055-2823

Hodson, Matthew ORCID: https://orcid.org/0000-0001-9292-5438 (2017) Forwards always – poetry to read aloud. [Artefact]

Hodson, Matthew ORCID: https://orcid.org/0000-0001-9292-5438 (2017) Forwards always – seasonal observations through image and word. [Show/Exhibition]

Horton, Derek and Blakeley, Lydia (2017) Leisure. [Show/Exhibition]

Jefferies, Liam ORCID: https://orcid.org/0000-0002-0949-5850 (2017) It would be a pleasure: augmented reality and engagement in a heritage context. Proceedings of EVA London 2017, UK.

Kultys, Dotty ORCID: https://orcid.org/0000-0003-4478-2879 (2017) The hunchback and the swan. In: FMX 2017, 2 May - 5 May 2017, Stuttgart, Germany. (Unpublished)

Lane, Clare ORCID: https://orcid.org/0000-0002-8936-2002 (2017) Re-making the Hattersley. [Artefact]

Lane, Clare ORCID: https://orcid.org/0000-0002-8936-2002 (2017) Soft picture. [Artefact]

McAra, Catriona ORCID: https://orcid.org/0000-0001-7680-4134 (2017) Chloe Aridjis and the Female Human Animal. In: Leonora Carrington Centenary Symposium, 30 June 2017, Edge Hill University.

McAra, Catriona ORCID: https://orcid.org/0000-0001-7680-4134 (2017) Dollhouse architecture: Leonora Carrington and children’s literature. Gramarye: The Journal of the Sussex Centre for Folklore, Fairy Tales and Fantasy, 12. pp. 35-45. ISSN 2050-2915

McAra, Catriona ORCID: https://orcid.org/0000-0001-7680-4134 (2017) A nonagenarian virago: quoting Carrington in contemporary practice. In: Leonora Carrington and the International Avant-Garde. Manchester University Press. ISBN 9781784994365

McAra, Catriona ORCID: https://orcid.org/0000-0001-7680-4134 (2017) A surrealist stratigraphy of Dorothea Tanning’s chasm. Routledge. ISBN 9781472463449

Mills, Jamie ORCID: https://orcid.org/0000-0002-6922-0648 (2017) Print stuff – independent print & publishing fair. [Show/Exhibition]

Norton, Frances ORCID: https://orcid.org/0000-0003-1935-4987 and Broadhead, Samantha ORCID: https://orcid.org/0000-0001-9469-1233 (2017) Ann O'Donnell modernist jeweller. [Show/Exhibition]

Esther Lee, Robert Silkstone, Ertu Unver, Jonathan Lee, Gareth Bransby (2017) A device suitable for protecting and / or allowing cleaning of a bike and / or vehicle component and method of use thereof. GB2550824A.

Spawforth-Jones, Simon ORCID: https://orcid.org/0000-0002-7290-889X (2017) Kerrang! magazine and the representation of heavy metal’s masculinity: A content analysis of Kerrang! cover images from 1981-1995. In: 20th Century British Periodicals, 4th July 2017, University of Reading. (Unpublished)

Tan, Kai Syng ORCID: https://orcid.org/0000-0002-4491-7166 and Latham, Alan (2017) Running into each other: run! run! run! a festival and a collaboration. Cultural Geographies. ISSN 1474-4740

Tansley, Graham ORCID: https://orcid.org/0000-0003-2428-8953 (2017) Dawn chorus. [Show/Exhibition]

Tansley, Graham ORCID: https://orcid.org/0000-0003-2428-8953 (2017) Trumps. [Show/Exhibition]

Taylor, Sarah ORCID: https://orcid.org/0000-0002-1881-3427 (2017) Aspirational beauty: painting class …the importance of personal narrative in painting. In: Teaching Painting: How Can Painting be Taught in Art Schools? Black Dog publishing, London. ISBN 9781911164104

Taylor, Sarah ORCID: https://orcid.org/0000-0002-1881-3427 and Paul, Lewis ORCID: https://orcid.org/0000-0003-4868-1717 (2017) Little pink bush. [Show/Exhibition]

Tobias-Green, Karen ORCID: https://orcid.org/0000-0002-9082-1413 (2017) Challenging the cult of normalcy: art education and transdisciplinary practices. Visual Inquiry: Learning & Teaching Art. ISSN 20455887

Tobias-Green, Karen ORCID: https://orcid.org/0000-0002-9082-1413 (2017) Walking in Urbana. [Show/Exhibition]

Woolley, Dawn ORCID: https://orcid.org/0000-0001-6958-5658 (2017) Consumed: stilled lives - Ruskin Gallery. [Show/Exhibition]

Woolley, Dawn ORCID: https://orcid.org/0000-0001-6958-5658 (2017) The commands of the sadistic capitalist. Twitter. (Unpublished)

Woolley, Dawn ORCID: https://orcid.org/0000-0001-6958-5658 and Watne, Davin (2017) Freedomination billboard and soapbox performance. [Show/Exhibition]

Young, Nicholas ORCID: https://orcid.org/0000-0002-7742-7788 (2017) 26:86 Collective Pripyat Exhibition. [Show/Exhibition]