Items where Year is 2022
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    Chambers, Paula ORCID: https://orcid.org/0000-0002-8245-9880
  
(2022)
The Lost and the Found: Stories for the After-Life (of Objects).
    The Journal for Psychoanalysis, Culture and Society, 27.
     pp. 136-144.
    
  
  
    Forkert, Kirsten ORCID: https://orcid.org/0000-0002-7938-3475, Huxtable, Jason 
ORCID: https://orcid.org/0000-0002-7596-3122, Nahaboo, Zaki 
ORCID: https://orcid.org/0000-0003-3364-0269, Nulman, Eugene 
ORCID: https://orcid.org/0000-0002-3358-9144, Wilde, Poppy 
ORCID: https://orcid.org/0000-0003-3334-059X and Windsor, Esther
  
(2022)
Revisiting Edward Said’s Representations of the Intellectual: A Roundtable for Perspectives on Academic Activism.
    Philosophy and Theory in Higher Education, 4 (2).
     pp. 167-186.
     ISSN 2578-5761
  
  
Book Section
    Attah, Tom ORCID: https://orcid.org/0000-0001-6493-3377
  
(2022)
The boy can’t help it: Little Richard’s disruption and re-construction of screen performativity.
    
      In:  
      Pop Stars on Film.
    
    
    Bloomsbury.
     ISBN 9781501372513
  
  
    Bottomley, Roxanne ORCID: https://orcid.org/0000-0003-2930-3761
  
(2022)
They Play.
    
      In:  
      Football: Designing the Beautiful Game.
    
    
    Design Museum, London.
     ISBN 9781872005614
  
  
    Broadhead, Samantha ORCID: https://orcid.org/0000-0001-9469-1233
  
(2022)
The Janus of the Access to HE Diploma: Rethinking qualifications, units, credits and levels.
    
      In:  
      Widening Access to Higher Education in the UK: Developments and Approaches: Using Credit Accumulation and Transfer.
    
    
    Open University Press.
     ISBN 9780335250592
  
  
    Broadhead, Samantha ORCID: https://orcid.org/0000-0001-9469-1233
  
(2022)
John Constable was my first art teacher: Construction of desire in a working-class artist/academic.
    
      In:  
      The Lives of Working-Class Academics: Getting ideas above your station.
    
    
    Emerald Publishing, Bingley, pp. 135-153.
     ISBN 978-1-80117-058-1
  
  
    Broadhead, Samantha ORCID: https://orcid.org/0000-0001-9469-1233
  
(2022)
Post-War Design Education and the Jewellery Industry in Yorkshire: Drawing on the Experience of Designer-Maker Ann O’Donnell.
    
      In:  
      The Industrialisation of Arts Education.
    
    
    Palgrave Macmillan.
     ISBN 978-3-031-05016-9
  
  
    Broadhead, Samantha ORCID: https://orcid.org/0000-0001-9469-1233 and Macleod, Deirdre
  
(2022)
Accessing Art and Design Higher Education: A Comparative Study of Access Courses Delivered in Further and Higher Education.
    
      In:  
      Access and Widening Participation in Arts Higher Education: Practice and Research.
    
    
      The Arts in Higher Education (AHE)
      .
    
    Palgrave Macmillan, London, pp. 95-117.
     ISBN 978-3-030-97449-7
  
  
    Huxtable, Jason ORCID: https://orcid.org/0000-0002-7596-3122
  
(2022)
Music Theory in Higher Education: The Language of Exclusion?
    
      In:  
      Access and Widening Participation in Arts Higher Education: Practice and Research.
    
    
      The Arts in Higher Education (AHE)
      .
    
    Palgrave Macmillan, London, pp. 181-200.
     ISBN 978-3-030-97449-7
  
  
    Huxtable, Jason ORCID: https://orcid.org/0000-0002-7596-3122
  
(2022)
‘Performance’ Measures as Neoliberal Industrialisation of Higher Education: A Policy Archaeology of the Teaching Excellence Framework and Implication for the Marginalisation of Music Education.
    
      In:  
      The Industrialisation of Art Education.
    
    
    Palgrave Macmillan, pp. 127-150.
     ISBN 978-3-031-05016-9
  
  
    Norton, Frances ORCID: https://orcid.org/0000-0003-1935-4987
  
(2022)
Planning a pop-up exhibition: Reflections on a critical thinking club.
    
      In:  
      Access and Widening Participation in Arts Higher Education: Practice and Research.
    
    
      The Arts in Higher Education (AHE)
      .
    
    Palgrave Macmillan, London, pp. 201-224.
     ISBN 978-3-030-97449-7
  
  
    Smith, Michael ORCID: https://orcid.org/0000-0001-5477-6152
  
(2022)
The Industrialisation of Animation Education.
    
      In:  
      The Industrialisation of Art Education.
    
    
    Macmillian Palgrave.
     ISBN 10 3031050169
  
  
    Tobias-Green, Karen ORCID: https://orcid.org/0000-0002-9082-1413
  
(2022)
At the Centre of the Storm Arts Writing and the Industrialised Curriculum.
    
      In:  
      The Industrialisation of Arts Education.
    
    
    Palgrave Macmillan, pp. 41-57.
     ISBN 978-3-031-05016-9
  
  
    Tobias-Green, Karen ORCID: https://orcid.org/0000-0002-9082-1413
  
(2022)
Deconstructing writing in arts education and beyond.
    
      In:  
      Access and Widening Participation in Arts Higher Education.
    
    
      The Arts in Higher Education (AHE)
      .
    
    Palgrave Macmillan.
     ISBN 978-3-030-97449-7
  
  
    Tsionki, Marianna ORCID: https://orcid.org/0000-0001-7770-2076
  
(2022)
Imagined Mappings of Geopolitical Power: Liquid Borders, Military Infrastructures and Ecological destruction in the South China Sea.
    
      In:  
      Visual Culture Wars at the Borders of Contemporary China.
    
    
    Palgrave Macmillan, Singapore.
     ISBN 978-981-16-5292-9
  
  
    Tsionki, Marianna ORCID: https://orcid.org/0000-0001-7770-2076
  
(2022)
Porto Marghera: working class environmentalism.
    
      In:  
      Venice and the Anthropocene.
    
    
    wetlands, Venice.
     ISBN 979-1280930088
  
  
    Tsionki, Marianna ORCID: https://orcid.org/0000-0001-7770-2076
  
(2022)
Unknown Fields Division – Rare Earthenware.
    
      In:  
      Postcards from the Anthropocene: Unsettling the Geopolitics of Representation.
    
    
    dpr-barcelona.
     ISBN 978-84-949388-7-0
  
  
    Whittaker, Randall and Broadhead, Samantha ORCID: https://orcid.org/0000-0001-9469-1233
  
(2022)
Disaggregating the Black Student Experience.
    
      In:  
      Access and Widening Participation in Arts Higher Education: Practice and Research.
    
    
      The Arts in Higher Education (AHE)
      .
    
    Palgrave Macmillan, pp. 51-72.
     ISBN 978-3-030-97449-7
  
  
    Woolley, Dawn ORCID: https://orcid.org/0000-0001-6958-5658 and Worth, Zara
  
(2022)
Creative Consumption: Art About Eating on Instagram.
    
      In:  
      #FOODINSTAGRAM: Identity, Influence, Negotiation.
    
    
    University of Illinois Press, Illinois, pp. 101-112.
     ISBN 9780252086540
  
  
    Woolley, Dawn ORCID: https://orcid.org/0000-0001-6958-5658 and Worth, Zara
  
(2022)
God Shaped Hole.
    
      In:  
      Painting, Photography, and the Digital: Crossing the Borders of the Medium.
    
    
    Cambridge Scholars Publishing.
     ISBN 1-5275-8917-X
  
  
Report
    Broadhead, Samantha ORCID: https://orcid.org/0000-0001-9469-1233, Thomson, Patricia 
ORCID: https://orcid.org/0000-0002-4801-0000 and Burns, Helen
  
(2022)
What are the long-term benefits of investing in art, craft & design in education for learning, culture, wellbeing and society? Preliminary report.
    [Report]
  
  
    Hill, Vikki ORCID: https://orcid.org/0000-0002-9277-2715, Broadhead, Samantha 
ORCID: https://orcid.org/0000-0001-9469-1233, Hughes, Peter, Bunting, Liz, Currant, Neil, da Costa, Laura, Greated, Marianne 
ORCID: https://orcid.org/0000-0002-5135-3944, Mantho, Robert, Salines, Emily 
ORCID: https://orcid.org/0000-0002-2083-8674 and Stevens, Thea
  
(2022)
QAA Collaborative Enhancement Project, 2021
Belonging through Assessment: Pipelines of Compassion.
    [Report]
  
  
Book
    Deakin, Nick ORCID: https://orcid.org/0000-0003-3569-0286 and Dyer, James 
ORCID: https://orcid.org/0000-0002-6734-7362
  
(2022)
Graphic Events: A Realist Account of Graphic Design.
    
    
    Onomatopee, Eindhoven.
     ISBN 978-94-93148-66-6
  
  
    Woolley, Dawn ORCID: https://orcid.org/0000-0001-6958-5658
  
(2022)
Consuming the Body: Capitalism, social media and commodification.
    
    
    Bloomsbury Academic.
     ISBN 9781350225299
  
  
Artefact
Blagg, Peter (2022) Bees, Mills and Museums. [Artefact]
    Boiangiu, Gabriela Monica ORCID: https://orcid.org/0000-0002-6793-0494
  
(2022)
Weeds.
    [Artefact]
  
  
    Dale, Nicola ORCID: https://orcid.org/0000-0002-7845-8658
  
(2022)
Retouch.
    [Artefact]
  
  
    Riches, Caroline ORCID: https://orcid.org/0000-0003-3106-3533
  
(2022)
Halston and Pat Cleveland mixed media on paper.
    [Artefact]
  
  
    Riches, Caroline ORCID: https://orcid.org/0000-0003-3106-3533
  
(2022)
Toile Rei Kawakubo mixed media on paper.
    [Artefact]
  
  
Show/Exhibition
    Chambers, Paula ORCID: https://orcid.org/0000-0002-8245-9880
  
(2022)
Working Girls.
    [Show/Exhibition]
  
  
    Dale, Nicola ORCID: https://orcid.org/0000-0002-7845-8658
  
(2022)
Insert Yourself.
    [Show/Exhibition]
  
  
    Taylor, Sarah ORCID: https://orcid.org/0000-0002-1881-3427 and Paul, Lewis 
ORCID: https://orcid.org/0000-0003-4868-1717
  
(2022)
Backgrounds and Backdrops.
    [Show/Exhibition]
  
  
    Tsionki, Marianna ORCID: https://orcid.org/0000-0001-7770-2076 and Goni, Kyriaki
  
(2022)
Networks of Trust.
    [Show/Exhibition]
  
  
Video
    Chimiak, Tom ORCID: https://orcid.org/0000-0001-5328-5335
  
(2022)
Tailor-made Maternal PKU Diet Education and Women with PKU:
Reproductive Experiences and Needs Throughout the Journey.
    [Video]
  
  
Creative Project
    Duggleby, Beth ORCID: https://orcid.org/0000-0003-4310-1226
  
(2022)
Lullabies in Lockdown.
    [Creative Project]
  
  
    Steans, David ORCID: https://orcid.org/0000-0002-0153-8983
  
(2022)
Mummy Hood Nesting Forest.
    [Creative Project]
  
  
 
          