Items where Subject is "All subjects > Popular Music Performance"

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Attah, Tom ORCID: https://orcid.org/0000-0001-6493-3377 (2017) Halls without walls: examining the development, dissemination and perpetuation of blues music and blues culture. In: 53rd Annual Conference of the Royal Musical Society, 7th - 9th September 2017, University of Liverpool.

Attah, Tom ORCID: https://orcid.org/0000-0001-6493-3377 (2018) ‘I thought I heard that up north whistle blow’: African American blues performance in the north of England. In: Sounds Northern - Popular Music, Culture and Place in England’s North. Equinox Publishing, Sheffield, pp. 77-95. ISBN 9781781795712

Attah, Tom ORCID: https://orcid.org/0000-0001-6493-3377 (2023) Why Is Nina Simone such a huge icon? [Audio]

Attah, Tom ORCID: https://orcid.org/0000-0001-6493-3377 (2022) The boy can’t help it: Little Richard’s disruption and re-construction of screen performativity. In: Pop Stars on Film. Bloomsbury. ISBN 9781501372513

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Huxtable, Jason ORCID: https://orcid.org/0000-0002-7596-3122 (2019) Dictionary of percussive coordination. [Composition]

Huxtable, Jason ORCID: https://orcid.org/0000-0002-7596-3122 (2022) Music Theory in Higher Education: The Language of Exclusion? In: Access and Widening Participation in Arts Higher Education: Practice and Research. The Arts in Higher Education (AHE) . Palgrave Macmillan, London, pp. 181-200. ISBN 978-3-030-97449-7

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Sanjek, David, Attah, Tom ORCID: https://orcid.org/0000-0001-6493-3377, Halligan, Benjamin and Duffett, Mark (2018) Stories we could tell: words to American popular music. Routledge Taylor & Francis Group. ISBN 9781138571969

Spawforth-Jones, Simon ORCID: https://orcid.org/0000-0002-7290-889X (2018) Kerrang! magazine and the representation of heavy metal masculinities (1981–95). Metal Music Studies, 4 (3). ISSN 2052-3998