Items where Subject is "All subjects > Creative Practice"
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- Leeds Art University subjects (443)
- All subjects (443)
- Creative Practice (34)
- All subjects (443)
A
Archer, Suzanne, Broadhead, Samantha ORCID: https://orcid.org/0000-0001-9469-1233 and Elzenbaumer, Bianca
ORCID: https://orcid.org/0000-0002-6541-4365
(2017)
Expanding communities of sustainable practice: 15 October 2016: symposium proceedings.
Published open-access by Leeds Arts University, Leeds.
ISBN 978-0-9561970-7-8
B
Ballin, Deborah ORCID: https://orcid.org/0000-0002-1920-3022
(2019)
Under an artificial sun.
Oral History.
ISSN 0143-0955
Ballin, Deborah ORCID: https://orcid.org/0000-0002-1920-3022 and Johnson, Esther
ORCID: https://orcid.org/0000-0001-8884-4192
(2017)
Echoes of protest: conference presentation.
In: International Oral History Conference IOHA 2018 Memory and Narration, Jyvaskla, Finland, 18-21 June 2018, Jyvaskyla, Finland.
(Unpublished)
Ballin, Deborah ORCID: https://orcid.org/0000-0002-1920-3022 and Johnson, Esther
ORCID: https://orcid.org/0000-0001-8884-4192
(2017)
Echoes of protest: untold stories of the 1984-1985 UK Miners' Strike.
Oral History Society Journal, 45 (1).
pp. 100-110.
Ballin, Deborah ORCID: https://orcid.org/0000-0002-1920-3022 and Johnson, Esther
ORCID: https://orcid.org/0000-0001-8884-4192
(2017)
Voices from the strike.
In:
Justice Denied Friends, Foes and the Miners' Strike.
Merlin Press.
ISBN 9780850367300
Ballin, Deborah ORCID: https://orcid.org/0000-0002-1920-3022 and Johnson, Esther
ORCID: https://orcid.org/0000-0001-8884-4192
(2016)
The people's echo: memories of the 1984-8 miners' strike. Christmas 2016.
Other.
Artists and National Coal Mining Museum for England..
Ballin, Deborah ORCID: https://orcid.org/0000-0002-1920-3022 and Johnson, Esther
ORCID: https://orcid.org/0000-0001-8884-4192
(2015)
A share of a pensioner's Christmas 'bonus'.
[Show/Exhibition]
C
Chambers, Paula ORCID: https://orcid.org/0000-0002-8245-9880
(2016)
Transcendental housework.
JourMS: The Journal of Mother Studies, 1.
Chambers, Paula ORCID: https://orcid.org/0000-0002-8245-9880
(2017)
The nightdress I wore to give birth in: performative materialities and maternal intersubjectivities.
Performance Research, A Journal of the Performing Arts, 22 (4).
pp. 18-27.
ISSN 1469-9990
E
Elzenbaumer, Bianca ORCID: https://orcid.org/0000-0002-6541-4365, Franz, Fabio and Giuliani, Caterina
(2015)
Precarity pilot: re-defining the path of our working lives.
Online.
F
French, Michaela ORCID: https://orcid.org/0000-0002-4028-3995
(2017)
Bodies in light: Mediating states of presence.
In:
Digital Bodies: Creativity and Technology in the Arts and Humanities.
Palgrave Studies in Performance and Technology Series
.
Palgrave Macmillan.
ISBN 9781349952403
L
Lane, Clare ORCID: https://orcid.org/0000-0002-8936-2002
(2017)
Re-making the Hattersley.
[Artefact]
Lane, Clare ORCID: https://orcid.org/0000-0002-8936-2002
(2019)
Soft Pictures – re-making the Hattersley.
In:
Futurescan 4: Valuing Practice.
FTC Fashion and Textile Courses.
ISBN 9781527249691
Lane, Clare ORCID: https://orcid.org/0000-0002-8936-2002
(2017)
Soft picture.
[Artefact]
M
Miles, Richard (2016) Indisciplinarity as social form: challenging the distribution of the sensible in the visual arts. In: Message. University of Plymouth Press, pp. 35-55. ISBN 9781841024110
N
Nash, Richard ORCID: https://orcid.org/0000-0003-3136-7211
(2019)
a(muse) eightwonder.
[Show/Exhibition]
Norton, Frances ORCID: https://orcid.org/0000-0003-1935-4987
(2022)
Planning a pop-up exhibition: Reflections on a critical thinking club.
In:
Access and Widening Participation in Arts Higher Education: Practice and Research.
The Arts in Higher Education (AHE)
.
Palgrave Macmillan, London, pp. 201-224.
ISBN 978-3-030-97449-7
Norton, Frances ORCID: https://orcid.org/0000-0003-1935-4987 and Broadhead, Samantha
ORCID: https://orcid.org/0000-0001-9469-1233
(2017)
Ann O'Donnell modernist jeweller.
[Show/Exhibition]
T
Tansley, Graham ORCID: https://orcid.org/0000-0003-2428-8953
(2016)
Building dreams.
[Show/Exhibition]
Tansley, Graham ORCID: https://orcid.org/0000-0003-2428-8953
(2017)
Dawn chorus.
[Show/Exhibition]
Tansley, Graham ORCID: https://orcid.org/0000-0003-2428-8953
(2017)
Trumps.
[Show/Exhibition]
Taylor, Sarah ORCID: https://orcid.org/0000-0002-1881-3427 and Gaffney, Sheila
ORCID: https://orcid.org/0000-0002-5894-873X
(2018)
Regenring …visual lives.
Journal of Writing in Creative Practice, 11 (2).
pp. 217-232.
ISSN 1753-5204
Tobias-Green, Karen ORCID: https://orcid.org/0000-0002-9082-1413
(2017)
Walking in Urbana.
[Show/Exhibition]
Tweddle, Janie ORCID: https://orcid.org/0000-0002-7274-7520 and Knight, Nicola
ORCID: https://orcid.org/0009-0004-5826-7573
(2019)
Trusting Technê: An exploration into the creative value of learning through doing.
In:
Futurescan 4: Valuing Practice.
FTC Fashion and Textile Courses.
ISBN 9781527249691
W
Woolley, Dawn ORCID: https://orcid.org/0000-0001-6958-5658
(2018)
Consumed: stilled lives - Blyth Gallery.
[Show/Exhibition]
Woolley, Dawn ORCID: https://orcid.org/0000-0001-6958-5658
(2018)
Consumed: stilled lives - Ffotogallery.
[Show/Exhibition]
Woolley, Dawn ORCID: https://orcid.org/0000-0001-6958-5658
(2017)
Consumed: stilled lives - Ruskin Gallery.
[Show/Exhibition]
Woolley, Dawn ORCID: https://orcid.org/0000-0001-6958-5658
(2017)
The commands of the sadistic capitalist.
Twitter.
(Unpublished)
Woolley, Dawn ORCID: https://orcid.org/0000-0001-6958-5658 and Watne, Davin
(2020)
Dancing for good.
[Show/Exhibition]
Woolley, Dawn ORCID: https://orcid.org/0000-0001-6958-5658 and Watne, Davin
(2017)
Freedomination billboard and soapbox performance.
[Show/Exhibition]
Y
Young, Nicholas ORCID: https://orcid.org/0000-0002-7742-7788
(2017)
26:86 Collective Pripyat Exhibition.
[Show/Exhibition]
Young, Nicholas ORCID: https://orcid.org/0000-0002-7742-7788
(2016)
Nuclear map of Great Britain 26/4/86.
[Artefact]
Young, Nicholas ORCID: https://orcid.org/0000-0002-7742-7788
(2016)
RBMK1000.
[Video]
Young, Nicholas ORCID: https://orcid.org/0000-0002-7742-7788
(2018)
Woodpecker.
Performance.