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The output is a creative project involving a light projection titled ‘Trumps’. It was a response to the concept and timing of the í Ljósi light festival in Seyðisfjörður, Iceland, when the first sunlight in nine months falls onto the town. Research process: Using synchronised digital projectors insi...

Responses to ‘City Sculpture Projects 1972’ Henry Moore Institute 24th Nov 2016 – 19th Feb 2017 and ‘The King and I’ at The &Model Gallery Leeds 26th Jan – 18th Feb 2017. Stories from the Sculpture City 8th Feb. 2017, was a peer reviewed selected series of performances made in response to the Henry ...

The solo exhibition Shoplifting in Woolworths: And Other Acts of Material Disobedience, comprises a series of free-standing and wall based sculptures, film and installation works made from domestic objects. Research process: The sculptures and installation works in this exhibition perform narratives...

A solo exhibition of sculptural works, floor based and wall based, which have been developed out of Chambers’ nomadic 'feral interventions' strategy of making and collecting. Research Process: Works were made using found objects as the starting point, many sourced from flea markets across Europe....

The output is a curated exhibition, co-curated by Dr Dawn Woolley and Dr Katie Herrington. It comprises a series of photographs and objects by Nicole Keeley, Caroline McCarthy, Simon Ward and Dawn Woolley. Research process: The exhibition focuses on the visual representation of vanitas, symbolic obj...