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The output is a creative project, a collection of artworks in response to two sets of archival documents and reconstructed acts that inscribe the subject’s relation to the state: the signing of the Covenant and Declaration documents at Belfast City Hall in 1912 and the reading of the Proclamation do...

The output is an exhibition of paintings by Lydia Blakeley which address the banality of pop and celebrity culture. Blakeley’s artistic practice explores contemporary vernacular culture through traditional painting. Following her first solo show, Leisure, at Leeds Arts University Vernon Street Galle...

The solo exhibition Shoplifting in Woolworths: And Other Acts of Material Disobedience, comprises a series of free-standing and wall based sculptures, film and installation works made from domestic objects. Research process: The sculptures and installation works in this exhibition perform narratives...

The output is an exhibition comprising a series of sculptures, objects and drawings. Research process: As a feminist artist, Chambers adopted her mother’s domestic dissent, integrating it as philosophy into the processes and outcomes of her art making practice. When making the work, she did not have...

The output is a curated exhibition, Pop-up Republics, co-curated by Paul Booth, Beccy Kennedy, Ming Turner and Toby Heys who formed a curator collective, ‘Dark Border Developments’. Research process: Working with a mixture of local and international artists, the researchers explored the concept of ‘...