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Consumed: Stilled Lives plays with the traditional concept of still-life painting, which grew in popularity in the 16th and 17th centuries. Often featuring silver plates, ornate glassware and expensive foodstuffs such as shellfish and exotic fruit, still life paintings became a fashionable way for t...

A solo exhibition of drawings and a ceramic installation. This solo exhibition focused on the development of allegorical narratives made in response to stories recently told to the artist of thousands of dead fish lining the English south coast seaside beaches due to pollution. This exhibition was u...

Fear of the Surplus was the inaugural exhibition of the Tetley Art Centre in Leeds. The solo exhibition, was a collaboration between myself and artist Emma Rushton. Responding to the context of the Tetley, which until its transformation into an art space, had been a place of work (Tetley Brewery),...

The output is an exhibition, a series of 20 intermedial images and written narratives taken during an international research trip to Urbana, Illinois (2016). Tobias-Green used a camera-phone to document an urban walk during an interstitial moment. The series of images is understood as an unfolding v...

The output is a curated exhibition, Pop-up Republics, co-curated by Paul Booth, Beccy Kennedy, Ming Turner and Toby Heys who formed a curator collective, ‘Dark Border Developments’. Research process: Working with a mixture of local and international artists, the researchers explored the concept of ‘...