Welcome to Leeds Arts University Repository

Consumed: Stilled Lives plays with the traditional concept of still-life painting, which grew in popularity in the 16th and 17th centuries. Often featuring silver plates, ornate glassware and expensive foodstuffs such as shellfish and exotic fruit, still life paintings became a fashionable way for t...

The output is a curated exhibition titled 'Networks of Trust'. This exhibition forms part of Tsionki’s research project 'A Common World in Transition – An Assembly', exploring eco-aesthetic manifestations of commoning as a new paradigm of economic, political, social and cultural practice. Resear...

Fear of the Surplus was the inaugural exhibition of the Tetley Art Centre in Leeds. The solo exhibition, was a collaboration between myself and artist Emma Rushton. Responding to the context of the Tetley, which until its transformation into an art space, had been a place of work (Tetley Brewery),...

The output is a series of sculptural headpieces by Nicola Dale premiered via a solo exhibition at Bobinska Brownlee, London. Research Process: ‘Head On’ focussed on sculpture as live experience, with audiences invited to complete the work. Visitors to the exhibition held, wore & moved with the pi...

The output is an exhibition and accompanying catalogue featuring a large body of work which covers staff and students, past and present of Leeds Arts University. As part of the University’s ongoing celebration of its heritage, the output offers an exhibition of a collection that honours the creative...