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The output was a selection of 12 of Barker’s narrative etchings that were exhibited in an exhibition that was designed to explore various influential strands in relation to international contemporary sculpture. See pages of the catalogue/record of the exhibition. Research process: An allegorical vi...

This body of artwork, comprises photographs, pop-up display banners, and site-specific artworks made for commercial advertising spaces in Perth. Woolley’s artwork is a feminist critique of consumer culture. She examines contemporary consumerism and the commodified construction of ideal gendered ...

The output is an exhibition comprising a series of sculptures, objects and drawings. Research process: As a feminist artist, Chambers adopted her mother’s domestic dissent, integrating it as philosophy into the processes and outcomes of her art making practice. When making the work, she did not have...

Fear of the Surplus was the inaugural exhibition of the Tetley Art Centre in Leeds. The solo exhibition, was a collaboration between myself and artist Emma Rushton. Responding to the context of the Tetley, which until its transformation into an art space, had been a place of work (Tetley Brewery),...

The output is a creative project involving a light projection titled “Dawn Chorus” exploring environmental impact and consumerism. The five-minute looped, spectacular narrative and sound track used fantastical found footage to explore human relationships with the natural world using digital film and...