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Consumed: Stilled Lives plays with the traditional concept of still-life painting, which grew in popularity in the 16th and 17th centuries. Often featuring silver plates, ornate glassware and expensive foodstuffs such as shellfish and exotic fruit, still life paintings became a fashionable way for t...

The output is an exhibition, a series of 20 intermedial images and written narratives taken during an international research trip to Urbana, Illinois (2016). Tobias-Green used a camera-phone to document an urban walk during an interstitial moment. The series of images is understood as an unfolding v...

The output is a series of exhibitions, created as part of collaborative research, consisting of 26′ audio work by Esther Johnson and Debbie Ballin, a photographic series by Esther Johnson, a selection of artefacts, from the People’s History Museum and NCCME archives curated by Johnson and Ballin and...

The output is a creative project comprising a light projection titled ‘Building dreams’. Research process: The proposal for Leeds Light Night 2016 was a further development of 3 years experimentation of filming with the high-resolution capability of an iPhone in creating digital film installations. ...

Painting Fo'Sho! explores what happens when an artist concerned with the shifting cultural signifiers between physical and online space is tasked with curating a show of five painters who share a preoccupation with framing their practice in contemporary parameters? The curatorial strategy seeks to f...