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The output is a curatorial project exhibiting the work of Ann O’Donnell (1933 – 2019), a jewellery artist-maker from the North of England. The project was a collaboration between Broadhead and Norton. Both contributors were equal originators of the work, taking joint responsibility for the project d...

An exhibition of contemporary visionary landscape that was chosen by the artist and curator Clive Hicks-Jenkins for the Royal Cambrian Academy. (The Welsh equivalent to the English Royal Academy) Hicks-Jenkins was looking to select artists that he considered continued an old animist or spiritual ...

'Consumer' examines the influence of capitalism on the visual landscape. During March – May 2015 Woolley purchased advertising space around Cardiff city centre and populated it with artworks that critique capitalism. The artworks employ the methods of enticement that are often found in adverts but i...

Consumed: Stilled Lives plays with the traditional concept of still-life painting, which grew in popularity in the 16th and 17th centuries. Often featuring silver plates, ornate glassware and expensive foodstuffs such as shellfish and exotic fruit, still life paintings became a fashionable way for t...

The output is a curated project, Leeds Print Festival: Process and Printmaking, curated by Smith, 2014. Research process: The output is an archive of selected prints that showcases a range of processes and techniques from studios, collectives, and individuals regionally, nationally, and internationa...