Welcome to Leeds Arts University Repository

Consumed: Stilled Lives plays with the traditional concept of still-life painting, which grew in popularity in the 16th and 17th centuries. Often featuring silver plates, ornate glassware and expensive foodstuffs such as shellfish and exotic fruit, still life paintings became a fashionable way for t...

Following an international call for submissions, On Innards | Publication, by artists Richard Nash, Amanda Couch, Mindy Lee, and Andrew Hladky, was selected for KALEID 2016 Oslo. Thirty-five artists from Belgium, Denmark, France, Hungary, Italy, Lithuania, the Netherlands, Norway, Poland and the Uni...

The output is a creative project, ‘Make Your Future’, that involved schools across West Yorkshire partnering with higher education institutions to reignite making in the classroom and tackle the challenges faced by craft education. The project resulted in a curated exhibition. The project was a coll...

The text in this immersive installation refers to the “Windrush” and “Dreamers” communities in the UK and the US respectively, whose citizenship has been under threat of revocation by current ruling governments. The use of optical illusions demonstrates the fugitive nature of truth, by aligning the ...

Consumed: Stilled Lives plays with the traditional concept of still-life painting, which grew in popularity in the 16th and 17th centuries. Often featuring silver plates, ornate glassware and expensive foodstuffs such as shellfish and exotic fruit, still life paintings became a fashionable way for t...