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The output is an exhibition of paintings and drawings representing two contrasting environments. Together, these works seek to explore the potential for re-presentation to provoke new readings of place. The notion of ‘double vision’ examines the differences between space and place, the phenomenologi...

Responses to ‘City Sculpture Projects 1972’ Henry Moore Institute 24th Nov 2016 – 19th Feb 2017 and ‘The King and I’ at The &Model Gallery Leeds 26th Jan – 18th Feb 2017. Stories from the Sculpture City 8th Feb. 2017, was a peer reviewed selected series of performances made in response to the Henry ...

The output is an exhibition, the culmination of a collaborative project between Tweddle and Knight, which explores how the West Riding of Yorkshire has influenced contemporary fashion. Collaboration contribution: Tweddle and Knight collaborated as co-curators, working with an external museum an...

Consumed: Stilled Lives plays with the traditional concept of still-life painting, which grew in popularity in the 16th and 17th centuries. Often featuring silver plates, ornate glassware and expensive foodstuffs such as shellfish and exotic fruit, still life paintings became a fashionable way for t...

This solo exhibition concentrated on three large drawings that were designed to be read as part of a series, all of which were created as allegorical reflections on contemporary society. The drawings were the result of several years of walking and drawing and talking with people that live in the Cha...