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The output is a curatorial project exhibiting the work of Ann O’Donnell (1933 – 2019), a jewellery artist-maker from the North of England. The project was a collaboration between Broadhead and Norton. Both contributors were equal originators of the work, taking joint responsibility for the project d...

This exhibition, held at the Cornerstone Gallery, Liverpool Hope University, between 24th October – 24th November 2016, pairs the work of painters Enzo Marra and Tom Palin. Both artists engage with the materiality of paint, which is at times rooted within figuration, yet neither painter’s work is ov...

Painting Fo'Sho! explores what happens when an artist concerned with the shifting cultural signifiers between physical and online space is tasked with curating a show of five painters who share a preoccupation with framing their practice in contemporary parameters? The curatorial strategy seeks to f...

Consumed: Stilled Lives plays with the traditional concept of still-life painting, which grew in popularity in the 16th and 17th centuries. Often featuring silver plates, ornate glassware and expensive foodstuffs such as shellfish and exotic fruit, still life paintings became a fashionable way for t...

The output is a series of exhibitions, created as part of collaborative research, consisting of 26′ audio work by Esther Johnson and Debbie Ballin, a photographic series by Esther Johnson, a selection of artefacts, from the People’s History Museum and NCCME archives curated by Johnson and Ballin and...