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The output was a selection of 12 of Barker’s narrative etchings that were exhibited in an exhibition that was designed to explore various influential strands in relation to international contemporary sculpture. See pages of the catalogue/record of the exhibition. Research process: An allegorical vi...

The output is an exhibition, ‘Me & You’, curated by Gaffney, and featuring the work of Linda Schwab. Research process: The exhibition is a curated display of material outputs from Gaffney’s artistic research that defines a particular approach in sculptural practice as ‘Embodied Dreaming’. This ma...

The output is an exhibition that playfully explore the semiotics of language through film, screen prints and text art. The works were selected by Adam Smythe, Curator at The Bluecoat (Liverpool), and Castlefield Gallery’s Programme Manager, Matthew Pendergast. Research process: Starting points for C...

There is a long history of debates and conflicting opinions in relation to the display of the female body. For example, many world religions require female worshippers to show modesty by covering their hair and body. In the late twentieth century academics in fields such as gender and media studies ...

Consumed: Stilled Lives plays with the traditional concept of still-life painting, which grew in popularity in the 16th and 17th centuries. Often featuring silver plates, ornate glassware and expensive foodstuffs such as shellfish and exotic fruit, still life paintings became a fashionable way for t...