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Consumed: Stilled Lives plays with the traditional concept of still-life painting, which grew in popularity in the 16th and 17th centuries. Often featuring silver plates, ornate glassware and expensive foodstuffs such as shellfish and exotic fruit, still life paintings became a fashionable way for t...

Uncanny Valley is a series of images, which collages photographs of the Gleadless Valley estate. Research process: Whilst other estates have been canonised and redeveloped, Gleadless Valley, on the other hand, is backgrounded in critical consideration. Still without regeneration, it has been describ...

The output is an exhibition in collaboration with book designer Fletcher and photographers Higginbottom and Greenwood. The output is an interactive exhibition where viewers are invited to select and sequence photos from the project to make an individual version of the city in book form. Research pro...

A solo exhibition of drawings and a ceramic installation. This solo exhibition focused on the development of allegorical narratives made in response to stories recently told to the artist of thousands of dead fish lining the English south coast seaside beaches due to pollution. This exhibition was u...

The text in this immersive installation refers to the “Windrush” and “Dreamers” communities in the UK and the US respectively, whose citizenship has been under threat of revocation by current ruling governments. The use of optical illusions demonstrates the fugitive nature of truth, by aligning the ...